Program

• The Photographic Cut and Cutting Practices in a Photo Archive, Costanza Caraffa (Head of the Photo Library, Kunsthistorisches Institut in Florenz, Italy)

• The Functioning of the Notion of Cut: Some Examples from Classical Antiquity, Maria Luisa Catoni (Director of the Research Unit LYNX Center for the Interdisciplinary Analysis of Image, Professor at IMT School for Advanced Studies Lucca)

• Cut, Splice, Montage. Materiality and Meaning, Barbara Flueckiger (PI ERC Advanced Grant “FilmColors. An Interdisciplinary Approach”, Professor at Department of Film Studies, University of Zurich)

• From Expanded to Cyber: de-framing and re-framing practices for archaeological reconstructions and cinematographic screens

Dr. Rossella Catanese and Dr. Riccardo Olivito

• Voyage en Italie: Photography and Cultural Heritage in Italy

Dr. Linda Bertelli and Agnese Ghezzi

Case-study based contributions addressing any of the following areas or interrelation among them:

• The history of the use of cut in different artistic practices (from drawing to engravings, from photography to cinema)
• The history and theory of the frame
• The history and the theory of the processes of institutionalisation in cultural heritage
• The different meanings of centre and margins in cultural heritage